Running up that hill notes
Running up that hill notes
Running up that hill notes
We begin with simple picking patterns, which will progress to enabling you to tackle some well known songs. Along the way, we learn a range of fingerpicking techniques and I will encourage you to begin to think about how you could implement these in to your own compositions. I believe that encouraging a student to find their creative voice, is a great approach for further developing confidence and awareness of your own individual and unique musical output.\r\n
I will also link you to guitar recording and music production software and mention some tips for these areas along the way.\r\n
I wish you all the best with your guitar journey!\r\n
Welcome to the COMPLETE Sound Design Fundamentals Guide!\r\n
In Sound Design Fundamentals: Sampling, we will examine the essentials of Sound Design using Ableton Live and Propellerheads’ Reason software and focusing on principals of Sampling. We will explore three fundamental topics:\r\n
This system keeps the technical jargon to a minimum and gets you making your own sounds quick.\r\n
Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes. \r\n
Throughout this class, If you get stuck, you can review the videos or post a question, and I’ll back to it as fast as possible. \r\n
J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts (the next 5!) of this class.\r\n
You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.\r\n
The course is a roadmap to Mastering Sound Design with any software tool.\r\n
Please click the \»Take This Course\» button so you can start making better tracks today.
In this class we learn how to work with the piano roll editor in a DAW to make harmonies, melodies, and whole tracks, and then we expand on those ideas and work with harmonic patterns (harmony) that is more rich than just major and minor. \r\n
This class is taught by J. Anthony Allen, who literally wrote the book on this topic. \r\n
While Ableton Live is used in this class, the concepts are easily adaptable to any and all music platforms. So if you use Logic, FL Studio, Reaper, Pro Tools, LMMS, or any of the other DAW programs, you will have no trouble following along.\r\n
Production Techniques Through Theory \r\n
The most important part of this class is an extensive foray into using these techniques in actual tracks. I’ll be creating 9 tracks through this class, right along with you, each using a different technique so you can see exactly how I incorporate it right into my music.\r\n
Full Sessions \r\n
After each production project, I’ll give you the whole session of what I made using the techniques for you to play with. You can download it, expand on it, re-work it, and even release it as your work.\r\n
If Your Music is Missing Something, This is Probably It. \r\n
Who should take this course? \r\n
Anyone interested in producing their own music. This will get you up and running and give your tracks a unique sound in no time.\r\n
This course consists of video lectures, which all contain a session in Ableton Live 9. If you are using a different program (or none at all), no worries! This isn’t a class on how to use Ableton Live, and the concepts can be applied to any DAW.\r\n
In this course, we will cover: \r\n
The course is a roadmap to finding the missing piece in your tracks, or just getting started making great tracks.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts of this class.\r\n
You will not have another opportunity to learn Music Theory in a more comprehensive way that this. Start here.\r\n
Please click the \»Take This Course\» button so you can start making great tracks today.\r\n
Running Up That Hill – Kate Bush
Can be played on piccolo
Kate Bush is one of my favourites, especially her older stuff! «Running Up That Hill» is one of her most popular and has been covered by Within Temptation and Placebo.
G G-G Bb G
It doesn’t hurt me
G G G-G Bb G G C
Do you wanna feel how it feels?
G G G-G Bb
Do you wanna know,
G G G Bb-Bb Bb G
Know that it doesn’t hurt me?
G G G-G# Bb G#-G
Do you wanna hear about
F D# D# D#-F
The deal I’m making?
F Bb G G-D#-F-D#-F
It’s you and me
D# Bb Bb Bb-Bb G
And if I only could
D# D# D# Bb Bb D
I’d make a deal with God
D D# Bb Bb Bb G Bb C-G
And I’d get him to swap our places
D# Bb-Bb Bb Bb G
Be running up that road
D# Bb-Bb Bb Bb D
Be running up that hill
C Bb-Bb Bb Bb G-Bb
Be running up that building
C Bb Bb Bb-Bb G
Say, if I only could
G G G-G Bb G
You don’t wanna hurt me
G G Bb Bb G-G C
See how deep the bullet lies
G-G-Bb G G-G Bb Bb-Bb-G
Unaware I’m tearing you asunder
G G# Bb-G# G F D#
There is thunder in our hearts
D# D# Bb Bb Bb
Is there so much hate
Bb Bb Bb Bb Bb-G
For the ones we love?
Bb G# G F F-D# D# D#
Tell me, we both matter, don’t we?
F Bb G G-D#-F-D#-F
It’s you and me
D# Bb G G-D#-F
It’s you and me
F F F-F-F
Won’t be unhappy.
F Bb Bb Bb-Bb G
And if I only could
D# D# D# Bb Bb D
I’d make a deal with God
D D# Bb Bb Bb G Bb C-G
And I’d get him to swap our places
D# Bb-Bb Bb Bb G
Be running up that road
D# Bb-Bb Bb Bb D
Be running up that hill
C Bb-Bb Bb Bb G-Bb
Be running up that building
C Bb Bb Bb-Bb G
Say, if I only could,
G Bb Bb G-D#-F-D#-F
It’s you and me
G Bb Bb G-D-F
It’s you and me
F F F-F-F
Won’t be unhappy
D# D# D#-F
Come on angel,
F F F F F-G
Come on, come on, darling
Bb G#-G Bb G#-G-F-F
Let’s exchange the experience
F Bb Bb Bb-Bb G
And if I only could
D# D# D# Bb Bb D
I’d make a deal with God
D# D# Bb Bb Bb G Bb C-G
And I’d get him to swap our places
D# Bb-Bb Bb Bb G
Be running up that road
C Bb-Bb Bb Bb D
Be running up that hill
C G F-D#-C
With no problems
F Bb Bb Bb-Bb G
And if I only could
D# D# D# Bb Bb D
I’d make a deal with God
D# D# Bb Bb Bb G Bb C-G
And I’d get him to swap our places
D# Bb-Bb Bb Bb G
Be running up that road
C Bb-Bb Bb Bb D
Be running up that hill
C G F-C-D#
With no problems
F Bb Bb Bb-Bb ^C-G
See if I only could
G Bb Bb Bb G F
I’d make a deal with God
F F F F D# F D# F-F-D#
And I’d get him to swap our places
D# Bb-Bb Bb Bb G
Be running up that road
C Bb-Bb Bb Bb D
Be running up that hill
C G F-D#-C
With no problems
F Bb Bb Bb-Bb G
See if I only could
C Bb-Bb Bb Bb D
Be running up that hill
C G F-D#-C
With no problems
C D#-D# D# D# C
Be running up that hill
C D#-D# D# D# C
Be running up that hill.
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Have you played these?
Copacabana (At the Copa) – Barry Manilow
Call Me Maybe – Carly Rae Jepsen
Any Dream Will Do – Joseph And The Amazing Technicolor Dreamcoat
Happy Xmas (War is Over) – John Lennon / Yoko Ono