So what miles davis ноты
So what miles davis ноты
So what miles davis ноты
In Sound Design Fundamentals: Sampling, we will examine the essentials of Sound Design using Ableton Live and Propellerheads’ Reason software and focusing on principals of Sampling. We will explore three fundamental topics:\r\n
This system keeps the technical jargon to a minimum and gets you making your own sounds quick.\r\n
Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes. \r\n
Throughout this class, If you get stuck, you can review the videos or post a question, and I’ll back to it as fast as possible. \r\n
J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts (the next 5!) of this class.\r\n
You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.\r\n
The course is a roadmap to Mastering Sound Design with any software tool.\r\n
Please click the \»Take This Course\» button so you can start making better tracks today.
In this class we learn how to work with the piano roll editor in a DAW to make harmonies, melodies, and whole tracks, and then we expand on those ideas and work with harmonic patterns (harmony) that is more rich than just major and minor. \r\n
This class is taught by J. Anthony Allen, who literally wrote the book on this topic. \r\n
While Ableton Live is used in this class, the concepts are easily adaptable to any and all music platforms. So if you use Logic, FL Studio, Reaper, Pro Tools, LMMS, or any of the other DAW programs, you will have no trouble following along.\r\n
Production Techniques Through Theory \r\n
The most important part of this class is an extensive foray into using these techniques in actual tracks. I’ll be creating 9 tracks through this class, right along with you, each using a different technique so you can see exactly how I incorporate it right into my music.\r\n
Full Sessions \r\n
After each production project, I’ll give you the whole session of what I made using the techniques for you to play with. You can download it, expand on it, re-work it, and even release it as your work.\r\n
If Your Music is Missing Something, This is Probably It. \r\n
Who should take this course? \r\n
Anyone interested in producing their own music. This will get you up and running and give your tracks a unique sound in no time.\r\n
This course consists of video lectures, which all contain a session in Ableton Live 9. If you are using a different program (or none at all), no worries! This isn’t a class on how to use Ableton Live, and the concepts can be applied to any DAW.\r\n
In this course, we will cover: \r\n
The course is a roadmap to finding the missing piece in your tracks, or just getting started making great tracks.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts of this class.\r\n
You will not have another opportunity to learn Music Theory in a more comprehensive way that this. Start here.\r\n
Please click the \»Take This Course\» button so you can start making great tracks today.\r\n
«,»tracking_id»:31,»is_favorite»:false>,<"id":"MdM5d","requirements":"","lesson_count":33,"duration":6850,"level":4,"instrument_id":100000,"topics":[<"id":8,"name":"Other in Music","uri":"other-in-music">],»web_url»:»https://musescore.com/courses/the-musicians-guide-to-band-partnerships-legal-issues—MdM5d»,»preview_link»:»https://musescore.com/static/musescore/userdata/course/c/9/4/38.png@950?date=1633094085&qlt=70″,»preview_type»:»course_image»,»rating»:<"rating":0,"count":1,"count_to_visible":2,"user_rating":null>,»progress_duration»:0,»name»:»The Musician’s Guide to Band Partnerships & Legal Issues»,»description»:»
Welcome to the \»Musician’s Guide\» Series!\r\n
This class is all about Band Partnerships and Legal Issues. In other words: How bands (and any musical collaboration) work together. In this class, I’ll give you a template for a typical agreement between band members, and walk you through what everything means.\r\n
It is ideal for anyone who is in a band or wants to start a band. Especially:\r\n
The goal of this class is for you to understand how bands work together, and how to keep from suing each other once you start making money!\r\n
This course is NOT specific to any DAW program.\r\n
Topics Covered: \r\n
If you are ready to start making money from your music, and making sure you are all protected, this class will start you on that journey. Get started today.\r\n
In 2017 Star Tribune Business featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes.
So what miles davis ноты
In Sound Design Fundamentals: Sampling, we will examine the essentials of Sound Design using Ableton Live and Propellerheads’ Reason software and focusing on principals of Sampling. We will explore three fundamental topics:\r\n
This system keeps the technical jargon to a minimum and gets you making your own sounds quick.\r\n
Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes. \r\n
Throughout this class, If you get stuck, you can review the videos or post a question, and I’ll back to it as fast as possible. \r\n
J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts (the next 5!) of this class.\r\n
You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.\r\n
The course is a roadmap to Mastering Sound Design with any software tool.\r\n
Please click the \»Take This Course\» button so you can start making better tracks today.
In this class we learn how to work with the piano roll editor in a DAW to make harmonies, melodies, and whole tracks, and then we expand on those ideas and work with harmonic patterns (harmony) that is more rich than just major and minor. \r\n
This class is taught by J. Anthony Allen, who literally wrote the book on this topic. \r\n
While Ableton Live is used in this class, the concepts are easily adaptable to any and all music platforms. So if you use Logic, FL Studio, Reaper, Pro Tools, LMMS, or any of the other DAW programs, you will have no trouble following along.\r\n
Production Techniques Through Theory \r\n
The most important part of this class is an extensive foray into using these techniques in actual tracks. I’ll be creating 9 tracks through this class, right along with you, each using a different technique so you can see exactly how I incorporate it right into my music.\r\n
Full Sessions \r\n
After each production project, I’ll give you the whole session of what I made using the techniques for you to play with. You can download it, expand on it, re-work it, and even release it as your work.\r\n
If Your Music is Missing Something, This is Probably It. \r\n
Who should take this course? \r\n
Anyone interested in producing their own music. This will get you up and running and give your tracks a unique sound in no time.\r\n
This course consists of video lectures, which all contain a session in Ableton Live 9. If you are using a different program (or none at all), no worries! This isn’t a class on how to use Ableton Live, and the concepts can be applied to any DAW.\r\n
In this course, we will cover: \r\n
The course is a roadmap to finding the missing piece in your tracks, or just getting started making great tracks.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts of this class.\r\n
You will not have another opportunity to learn Music Theory in a more comprehensive way that this. Start here.\r\n
Please click the \»Take This Course\» button so you can start making great tracks today.\r\n
«,»tracking_id»:31,»is_favorite»:false>,<"id":"MdM5d","requirements":"","lesson_count":33,"duration":6850,"level":4,"instrument_id":100000,"topics":[<"id":8,"name":"Other in Music","uri":"other-in-music">],»web_url»:»https://musescore.com/courses/the-musicians-guide-to-band-partnerships-legal-issues—MdM5d»,»preview_link»:»https://musescore.com/static/musescore/userdata/course/c/9/4/38.png@950?date=1633094085&qlt=70″,»preview_type»:»course_image»,»rating»:<"rating":0,"count":1,"count_to_visible":2,"user_rating":null>,»progress_duration»:0,»name»:»The Musician’s Guide to Band Partnerships & Legal Issues»,»description»:»
Welcome to the \»Musician’s Guide\» Series!\r\n
This class is all about Band Partnerships and Legal Issues. In other words: How bands (and any musical collaboration) work together. In this class, I’ll give you a template for a typical agreement between band members, and walk you through what everything means.\r\n
It is ideal for anyone who is in a band or wants to start a band. Especially:\r\n
The goal of this class is for you to understand how bands work together, and how to keep from suing each other once you start making money!\r\n
This course is NOT specific to any DAW program.\r\n
Topics Covered: \r\n
If you are ready to start making money from your music, and making sure you are all protected, this class will start you on that journey. Get started today.\r\n
In 2017 Star Tribune Business featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes.
So what miles davis ноты
In Sound Design Fundamentals: Sampling, we will examine the essentials of Sound Design using Ableton Live and Propellerheads’ Reason software and focusing on principals of Sampling. We will explore three fundamental topics:\r\n
This system keeps the technical jargon to a minimum and gets you making your own sounds quick.\r\n
Dr. Allen is a professional musician, top-rated Udemy instructor, and university professor. In 2017 the Star Tribune featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes. \r\n
Throughout this class, If you get stuck, you can review the videos or post a question, and I’ll back to it as fast as possible. \r\n
J. Anthony Allen is an Ableton Certified Trainer, and a PhD in Music Composition and master of Electronic Sounds. His music has been heard internationally in film, radio, video games, and industrial sound, as well as the concert hall and theater.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts (the next 5!) of this class.\r\n
You will not have another opportunity to learn Ableton Live in a more comprehensive way that this. Start here.\r\n
The course is a roadmap to Mastering Sound Design with any software tool.\r\n
Please click the \»Take This Course\» button so you can start making better tracks today.
In this class we learn how to work with the piano roll editor in a DAW to make harmonies, melodies, and whole tracks, and then we expand on those ideas and work with harmonic patterns (harmony) that is more rich than just major and minor. \r\n
This class is taught by J. Anthony Allen, who literally wrote the book on this topic. \r\n
While Ableton Live is used in this class, the concepts are easily adaptable to any and all music platforms. So if you use Logic, FL Studio, Reaper, Pro Tools, LMMS, or any of the other DAW programs, you will have no trouble following along.\r\n
Production Techniques Through Theory \r\n
The most important part of this class is an extensive foray into using these techniques in actual tracks. I’ll be creating 9 tracks through this class, right along with you, each using a different technique so you can see exactly how I incorporate it right into my music.\r\n
Full Sessions \r\n
After each production project, I’ll give you the whole session of what I made using the techniques for you to play with. You can download it, expand on it, re-work it, and even release it as your work.\r\n
If Your Music is Missing Something, This is Probably It. \r\n
Who should take this course? \r\n
Anyone interested in producing their own music. This will get you up and running and give your tracks a unique sound in no time.\r\n
This course consists of video lectures, which all contain a session in Ableton Live 9. If you are using a different program (or none at all), no worries! This isn’t a class on how to use Ableton Live, and the concepts can be applied to any DAW.\r\n
In this course, we will cover: \r\n
The course is a roadmap to finding the missing piece in your tracks, or just getting started making great tracks.\r\n
And of course, once you sign up any part, you automatically get huge discounts to all the upcoming parts of this class.\r\n
You will not have another opportunity to learn Music Theory in a more comprehensive way that this. Start here.\r\n
Please click the \»Take This Course\» button so you can start making great tracks today.\r\n
«,»tracking_id»:31,»is_favorite»:false>,<"id":"MdM5d","requirements":"","lesson_count":33,"duration":6850,"level":4,"instrument_id":100000,"topics":[<"id":8,"name":"Other in Music","uri":"other-in-music">],»web_url»:»https://musescore.com/courses/the-musicians-guide-to-band-partnerships-legal-issues—MdM5d»,»preview_link»:»https://musescore.com/static/musescore/userdata/course/c/9/4/38.png@950?date=1633094085&qlt=70″,»preview_type»:»course_image»,»rating»:<"rating":0,"count":1,"count_to_visible":2,"user_rating":null>,»progress_duration»:0,»name»:»The Musician’s Guide to Band Partnerships & Legal Issues»,»description»:»
Welcome to the \»Musician’s Guide\» Series!\r\n
This class is all about Band Partnerships and Legal Issues. In other words: How bands (and any musical collaboration) work together. In this class, I’ll give you a template for a typical agreement between band members, and walk you through what everything means.\r\n
It is ideal for anyone who is in a band or wants to start a band. Especially:\r\n
The goal of this class is for you to understand how bands work together, and how to keep from suing each other once you start making money!\r\n
This course is NOT specific to any DAW program.\r\n
Topics Covered: \r\n
If you are ready to start making money from your music, and making sure you are all protected, this class will start you on that journey. Get started today.\r\n
In 2017 Star Tribune Business featured him as a \»Mover and a Shaker,\» and he is recognized by the Grammy Foundation for his music education classes.
«So What» Sheet Music
Miles Davis
Top Sellers
«So What»
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by Miles Davis
Scoring: Instrumental Solo
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Scoring: Instrumental Solo
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composed by Miles Davis
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Notation: Guitar TAB
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by Miles Davis
Scoring: Transcribed Solo, Instrumental Solo
Instruments: Cello, Double Bass, Trombone, Bassoon, Bass Clef Instrument, Baritone Horn
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So What
by Miles Davis
Scoring: Transcribed Solo, Instrumental Solo
Instruments: Cello, Double Bass, Trombone, Bassoon, Bass Clef Instrument, Baritone Horn
Pages: 2
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«So What»
Sheet music for Bassoon
So What
by Miles Davis
Scoring: Transcribed Solo, Instrumental Solo
Instruments: Cello, Double Bass, Trombone, Bassoon, Bass Clef Instrument, Baritone Horn
Pages: 2
Product Type: Digital Sheet Music
«So What»
Sheet music for Cello
So What
by Miles Davis
Scoring: Transcribed Solo, Instrumental Solo
Instruments: Cello, Double Bass, Trombone, Bassoon, Bass Clef Instrument, Baritone Horn
Pages: 2
Product Type: Digital Sheet Music
«So What»
Sheet music for Double Bass
So What
by Miles Davis
Scoring: Transcribed Score, Instrumental Solo
Instruments: Piano, Double Bass, Trumpet, Saxophones
Pages: 6
Product Type: Digital Sheet Music
So What
by Miles Davis
Scoring: Transcribed Solo, Instrumental Solo
Instruments: Cello, Double Bass, Trombone, Bassoon, Bass Clef Instrument, Baritone Horn
Pages: 2
Product Type: Digital Sheet Music
«So What»
Sheet music for Saxophones
So What
by Miles Davis
Scoring: Transcribed Score, Instrumental Solo
Instruments: Piano, Double Bass, Trumpet, Saxophones
Pages: 6
Product Type: Digital Sheet Music
«So What»
Sheet music for Trombone
So What
by Miles Davis
Scoring: Transcribed Solo, Instrumental Solo
Instruments: Cello, Double Bass, Trombone, Bassoon, Bass Clef Instrument, Baritone Horn
Pages: 2
Product Type: Digital Sheet Music
«So What»
Sheet music for Trumpet
So What
by Miles Davis
Scoring: Transcribed Score, Instrumental Solo
Instruments: Piano, Double Bass, Trumpet, Saxophones
Pages: 6
Product Type: Digital Sheet Music
So What
by Miles Davis
Scoring: Transcribed Solo, Instrument/Chords
Instruments: Trumpet
Pages: 6
Product Type: Digital Sheet Music
GTP-архив: So What
Функционал программы:
Запись музыкальных произведений для гитары, бас-гитары, банджо и множества других инструментов и ансамблей в виде табулатур или нотной графики (при создании табулатуры отображается соответствующая ей строчка с нотами и наоборот);
Создание произведений для духовых, струнных, клавишных и других музыкальных инструментов;
Создание партий для барабанов и перкуссии;
Интеграция текста песен в ноты и привязка его к нотам дорожек с партией вокала;
Встроенный определитель и визуализатор аккордов для гитары;
Экспортирование музыкальных партитур в MIDI, ASCII, MusicXML, WAV, PNG, PDF, GP5 (в Guitar Pro 6), подготовка к печати;
Импортирование из MIDI, ASCII,MusicXML, Power Tab (.ptb), TablEdit (.tef)
Виртуальный гитарный гриф, клавиатура фортепиано и панель ударных инструментов, на которых проецируются ноты, проигрываемые в текущий момент. Удобное создание и редактирование партии соответствующего инструмента с их помощью;
Встроенный удобный метроном, гитарный тюнер для настройки гитары, инструмент для автоматического транспонирования дорожек;
Огромное количество инструментов для добавления к нотам характерных для гитары приёмов аккомпанирования и выбор способов их озвучивания;
Начиная с версии 5 в программу добавлена технология RSE (Realistic Sound Engine), которая помогает приблизить звучание гитары к настоящему звуку и наложить различные уникальные эффекты (гитарные «навороты», эффект «wah-wah» и т. д.) в режиме проигрывания.
Поддержка предыдущих форматов программы — gtp, gp3, gp4, и gp5 (для версий 5.Х и 6.0).