What does maggie love about being an actress

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What does Maggie love about being an actress?

1) Being able to play both men and women.

2) Being able to express complex characters.

3) Being able to look beautiful on screen.

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What do we learn about Maggie’s musical education?

1) She didn’t have a special music talent.

2) She attended a musical school for 9 years.

3) She didn’t like playing the piano very much.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

But I wasn’t great, though I was good and I had tremendous passion.

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Why did Maggie want to become an actress?

1) This profession runs in her family.

2) She wanted to overcome the stage fright.

3) Acting on stage felt natural to her.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

I found that being on stage I felt, «This is home.»

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What does Maggie say about directors and directing?

1) She thinks David Lynch is the best director.

2) She feels she could herself direct a film one day.

3) She thinks she was fortunate to work with many talented directors.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky.

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What does Maggie say is the most important thing for her about a film?

2) The screenplay.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

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Воспользуйтесь плеером, чтобы прослушать запись.

Maggie often plays mothers because …

1) such roles provide lots of opportunities to an actress.

2) people like her in such roles.

3) she is a future mother herself.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story.

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Воспользуйтесь плеером, чтобы прослушать запись.

What does Maggie think of her appearance?

1) She thinks she should take care of the way she looks on screen.

2) She thinks her looks don’t interfere with her job.

3) She thinks she’s very beautiful.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

What does maggie love about being an actress

При выполнении заданий с кратким ответом впишите в поле для ответа цифру, которая соответствует номеру правильного ответа, или число, слово, последовательность букв (слов) или цифр. Ответ следует записывать без пробелов и каких-либо дополнительных символов. Для выполнения заданий 1, 2 прослушайте аудиозапись и выпишите правильную последовательность цифр. Для выполнения заданий 3—9 прослушайте интервью и выберите один из трех вариантов ответа. В задании 10 установите соответствие между текстами A—G и заголовками 1—8. В задании один заголовок лишний. В задании 11 прочитайте текст и заполните пропуски A—F частями предложений, обозначенными цифрами 1—7. Одна из частей в списке 1—7 лишняя. Прочитайте текст и выполните задания 12—18. В каждом задании запишите в поле ответа цифру 1, 2, 3 или 4, соответствующую выбранному Вами варианту ответа.

При выполнении заданий 19—25, преобразуйте, если необходимо, слова, напечатанные заглавными буквами так, чтобы они грамматически соответствовали содержанию текстов. Записывайте ответы без пробелов, запятых и других дополнительных символов; не копируйте слова-ответы из браузера, вписывайте их, набирая с клавиатуры. При выполнении заданий 26—31, образуйте от слов, напечатанных заглавными буквами однокоренные слова так, чтобы они грамматически и лексически соответствовали содержанию текста. Записывайте ответы без пробелов, запятых и других дополнительных символов; не копируйте слова-ответы из браузера, вписывайте их, набирая с клавиатуры. Прочитайте текст с пропусками, обозначенными номерами 32—38. Запишите в поле ответа цифру 1, 2, 3 или 4, соответствующую выбранному Вами варианту ответа.

Если вариант задан учителем, вы можете вписать или загрузить в систему ответы к заданиям с развернутым ответом. Учитель увидит результаты выполнения заданий с кратким ответом и сможет оценить загруженные ответы к заданиям с развернутым ответом. Выставленные учителем баллы отобразятся в вашей статистике.

Вы услышите 6 высказываний. Установите соответствие между высказываниями каждого говорящего A–F и утверждениями, данными в списке 1–7. Используйте каждое утверждение, обозначенное соответствующей цифрой, только один раз. В задании есть одно лишнее утверждение. Вы услышите запись дважды.

Воспользуйтесь плеером, чтобы прослушать запись.

1. Uniforms can ‘hide’ people

2. Uniform rules can be too strict

3. Dress-code as a sort of uniform

4. Dress codes can prevent us looking our best

5. Unbelievable coincidence

6. Uniforms are always dull

7. Dress-codes can be fun

Воспользуйтесь плеером, чтобы прослушать запись.

A) David hasn’t been to school for some time.

B) Paula knew David felt much better.

C) Doctors think David needs a month to recover.

D) David has to read 78 pages from the history book.

E) David thinks the essay task is very hard.

F) Paula will e-mail the article for the biology task to David.

G) Paula agreed to visit David the next day.

Запишите в ответ цифры, расположив их в порядке, соответствующем буквам:

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

What do we learn about Maggie’s musical education?

1) She didn’t have a special music talent.

2) She attended a musical school for 9 years.

3) She didn’t like playing the piano very much.

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

Why did Maggie want to become an actress?

1) This profession runs in her family.

2) She wanted to overcome the stage fright.

3) Acting on stage felt natural to her.

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

What does Maggie say about directors and directing?

1) She thinks David Lynch is the best director.

2) She feels she could herself direct a film one day.

3) She thinks she was fortunate to work with many talented directors.

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

What does Maggie say is the most important thing for her about a film?

2) The screenplay.

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

Maggie often plays mothers because …

1) such roles provide lots of opportunities to an actress.

2) people like her in such roles.

3) she is a future mother herself.

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

What does Maggie think of her appearance?

1) She thinks she should take care of the way she looks on screen.

2) She thinks her looks don’t interfere with her job.

3) She thinks she’s very beautiful.

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

Воспользуйтесь плеером, чтобы прослушать запись.

What does Maggie love about being an actress?

1) Being able to play both men and women.

2) Being able to express complex characters.

3) Being able to look beautiful on screen.

Установите соответствие между заголовками 1–8 и текстами A–G. Запишите свои ответы в таблицу. Используйте каждую цифру только один раз. В задании есть один лишний заголовок.

1. A taste of everything

2. Shop till you drop

3. City’s tourist attractions

4. Ancient traditions live on

5. Activities for the adventurous and hardy

6. On the crossroads of religions

7. For the body, mind and soul

8. From the high peaks to the deep seas

A. Today Jakarta has much to offer, ranging from museums, art and antique markets, first class shopping to accommodations and a wide variety of cultural activities. Jakarta’s most famous landmark, the National Monument or Monas is a 137m obelisk topped with a flame sculpture coated with 35 kg of gold. Among other places one can mention the National museum that holds an extensive collection of ethnographic artifacts and relics, the Maritime Museum that exhibits Indonesia’s seafaring traditions, including models of sea going vessels.

B. Sumatra is a paradise for nature lovers, its national parks are the largest in the world, home to a variety of monkeys, tigers and elephants. Facing the open sea, the western coastline of Sumatra and the waters surrounding Nias Island have big waves that make them one of the best surfer’s beaches in Indonesia. There are beautiful coral reefs that are ideal for diving. For those who prefer night dives, the waters of Riau Archipelago offer a rewarding experience with marine scavengers of the dark waters.

C. Various establishments offer professional pampering service with floral baths, body scrubs, aromatic oils, massages and meditation; rituals and treatments that use spices and aromatic herbs to promote physical and mental wellness. Various spa hotels are extremely popular. Indonesians believe that when treating the body you cure the mind.

D. Jakarta has a distinctly cosmopolitan flavor. Tantalize your taste buds with a gastronomic spree around the city’s many eateries. Like French gourmet dining, exotic Asian cuisine, American fast food, stylish cafes, restaurants all compete to find a way into your heart through your stomach. The taste of Indonesia’s many cultures can be found in almost any corner of the city: hot and spicy food from West Sumatra, sweet tastes of Dental Java, the tangy fish dishes of North Sulawesi.

E. In the face of constant exposure to modernization and foreign influences, the native people still faithfully cling to their culture and rituals. The pre-Hindu Bali Aga tribe still maintains their own traditions of architecture, pagan religion, dance and music, such as unique rituals of dances and gladiator-like battles between youths. On the island of Siberut native tribes have retained their Neolithic hunter-gathering culture.

F. Whether you are a serious spender or half hearted shopper, there is sure to be something for everybody in Jakarta. Catering to diverse tastes and pockets, the wide variety of things you can buy in Jakarta is mind boggling from the best of local handicrafts to haute couture labels. Modern super and hyper markets, multi-level shopping centers, retail and specialty shops, sell quality goods at a competitive price. Sidewalk bargains range from tropical blooms of vivid colors and scents in attractive bouquets to luscious fruits of the seasons.

G. The land’s long and rich history can’t be separated from the influence of Hinduism, Buddhism, Islam and Christianity. There is one of the oldest Hindu temples in Java, the majestic Buddhist ‘monastery on the hill’, Borobudur, the largest Buddhist monument in the world. About 17 km away from this monastery is a 9th century temple complex built by the Sanjaya dynasty. Prambanan complex is dedicated to the Hindu trinity: Ciwa, Vishnu and Brahma. The spread of Islam also left interesting monuments such as the 15th century Minaret Mosque in Kudus.

What does maggie love about being an actress

Вы услышите интервью дважды. Выберите правильный ответ 1, 2 или 3.

What does Maggie say about directors and directing?

1) She thinks David Lynch is the best director.

2) She feels she could herself direct a film one day.

3) She thinks she was fortunate to work with many talented directors.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.

Maggie: Hello. It’s so nice being here, thank you for inviting me.

Presenter: Could you please tell us about what led you to become an actress?

Maggie: Well, it’s a long story and it’s connected with my musical education.

Presenter: Did you attend a musical school?

Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.’ I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.

Presenter: Was it easy to find your director? Would you like to try directing yourself?

Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”

Presenter: What kind of films do you like acting in?

Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.

Presenter: You play a lot of family women. How come?

Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!

Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?

Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.

Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

What does maggie love about being an actress

What does Maggie think of her appearance?

1) She thinks she should take care of the way she looks on screen.
2) She thinks her looks don’t interfere with her job.
3) She thinks she’s very beautiful.

Now we are ready to start.

Presenter: Hello, everybody, and welcome to our daily programme Stardom. Today in our studio we have Maggie Smith, a famous actress. Hello, Maggie.
Maggie: Hello. It’s so nice being here, thank you for inviting me.
Presenter: Could you please tell us about what led you to become an actress?
Maggie: Well, it’s a long story and it’s connected with my musical education.
Presenter: Did you attend a musical school?
Maggie: When I was nine years old, I started playing the piano. I was obsessed. I needed to play for several hours every day. But I wasn’t great, though I was good and I had tremendous passion. I didn’t have any real technical skill, so no matter how much I practised I was never going to be able to really play in front of people. I had tremendous stage fright. Still, the piano was the beginning of me going, “I need an outlet. I need a vehicle.” And then from music, I joined the drama club in high school. I got on stage and I went, “Oh wow. No stage fright.” I couldn’t do public speaking, and I couldn’t play the piano in front of people, but I could act. I found that being on stage I felt, “This is home.” I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, “That is the conversation I want to have.” It was unequivocal. There was nobody acting in my family, but there didn’t need to be. I just understood what I wanted to do at once.
Presenter: Was it easy to find your director? Would you like to try directing yourself?
Maggie: Well, speaking about working with good directors, that has always been a certain kismet with me. I was lucky. There was a period in the 1980s where you had people who were born to direct, born to shepherd stories. Like David Lynch, who was so unusual, such a rare storyteller, so personal and private, and dreamlike from his subconscious. You know, people ask me why I don’t direct. Well, it’s because I’ve worked with people where that’s what they were born to do, and it’s a little intimidating after you’ve worked with a rash of those people one after another. Then it’s like, “I like acting. Acting is good.”
Presenter: What kind of films do you like acting in?
Maggie: I don’t think the genre matters much. I even try not to look at the story itself because even a banal story may turn into a blockbuster. What I pay attention to and fall in love with is the script. If the script is good, I start just living in those dialogues or monologues.
Presenter: You play a lot of family women. How come?
Maggie: I’ve always played moms. I once played someone who wanted to be a mom. The thing with the role of a mother in our legacy, in world history, in world mythology, is that the role of a mother encompasses the entire universe. There is no limit to what you can express if you are representing that in a story. I’ve just got nominated for an Emmy for playing a mother!
Presenter: Modern women are constantly looking for ways to be more beautiful. As a woman and as an actress, are you satisfied with your appearance?
Maggie: I think that my looks through the years have served me well because I was never a great beauty and I was never cast as a great beauty. So I never leaned on it and I never really made that a high value. I’ve always been kind of androgynous and it’s one of the reasons why I love being an actress. I love experimenting with the male and the female in any character. That balance, the yin and the yang of that, is always in play, because everybody is male and female.
Presenter: Thank you, Maggie. It has been a real pleasure talking with you today.

You have 15 seconds to complete the task. (Pause 15 seconds.)
Now you will hear the text again. (Repeat.)
This is the end of the task. You now have 15 seconds to check your answers. (Pause 15 seconds.)

This is the end of the Listening test

Вы услышите интервью. В поле ответа запишите цифру 1, 2 или 3, соответствующую выбранному Вами варианту ответа. Вы услышите запись дважды.

What does Pamela NOT mention speaking about her current work?

1) Publishing some more books.
2) Teaching private online classes.
3) Delivering conference presentations.